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In the Blink of an Eye: A Perspective on Film Editing, 2nd Edition
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Product details
Paperback: 146 pages
Publisher: Silman-James Press; 2nd edition (August 1, 2001)
Language: English
ISBN-10: 1879505622
ISBN-13: 978-1879505629
Product Dimensions:
6.2 x 0.5 x 8.5 inches
Shipping Weight: 8.2 ounces (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
243 customer reviews
Amazon Best Sellers Rank:
#8,250 in Books (See Top 100 in Books)
I can say that I've enjoyed reading this book. I'm currently taking a class on film editing, and trying to take this up as a serious hobby. In The Blink Of An Eye is mostly just kicking back and listening to the author kind of ramble on about his editing experiences, and his thoughts on the process. What I think I got out of this book is some lore, and some vague ideas about how to approach editing, but very few specifics. The other thing that I got out of this book is an appreciation of how futile it is to try to learn film editing from a book. It is such a visual thing that even when he shows side by side still pictures in order to talk about a "cut", it's really impossible to visualize without seeing the full action.So I dunno, I recommend this book, it's not a waste of time. But if you are trying to "cram" for an upcoming film project or something like that, I think you'll be disappointed that you may not learn all that much that is immediately applicable.
I had just read a strange book written by an Italian during WWII and translated into English by this author, when someone said, "Have you read In the Blink of an Eye?" I couldn't believe it when she told me the name of the author. Anyway, yes, same guy.This is an amazing book, a quick read. I happen to be shooting video recently and used to teach film theory. Somehow this book got by me. It is a great book not only for people who make movies but for people who are really into movies. A nice companion to other film theory books. I would also recommend the book "Understanding Comics." That might seem random but the two forms share a lot of principles, something that can be appreciated when you consider the function of storyboarding.
This is a WONDERFUL account of the brilliance that Hollywood film editors create through their craft. More than anything else, you will gain an appreciation for the painstakingly complex artistic process carefully detailed by Walter Murch. Murch is a legend in the industry whose artistic brilliance shaped such epic works as Apocalypse Now, The Godfather and The English Patient. In the Blink of an Eye goes deeply into the artistic process as well as view into the tools used by Hollywood film editors. This is a very informative and insightful read.
An awesome read; full of interesting facts, opinions, trivia and pretty much every theory you need about film editing. Murch is a master in his craft, and everything he has to say about both analog and digital editing--although some info is oudated, since the 2nd edition was released way back in 2001--is invaluable. A must-read for anyone interested in film editing or filmmaking in general.
I suspect this book was worth five stars the day it was written but that's been a while. The author's editing experenences are very interesting and his theories on editing make the book worthwhile to anyone currently editing. Unfortunately, too much of the book is used to consider the pluses of continuing to work with mechanical editors and film as opposed to working with the earlier versions of editing software. The title refers to a suggested length of a cut, and the whole part of the book dealing with editing theory probably makes this books still worthwhile, especially at its current price.
This book isnt about editing techniques, its about what editing is, what editing can be and why we edit and it will make you look at editing as an experience and a process involving emotions rather than a technical process of cutting simply because it might be time to cut. ALSO, VERY IMPORTANT, IF YOUR INTERESTED IN DIRECTING THIS BOOK WITH HELP YOU IMPROVE THAT AS WELL!!! if you understand editing, when you set out to direct a scene for a show or a movie the understanding of how things cut together or can be cut together will inform your directing decisions, you will begin to think in montages and will direct with an understanding of all the different ways a scene can play out and the editor with thank you (and if you are editing you will thank yourself) for giving him choices.
I've read quite a few film books and the problem with a lot of them is that are no longer relevant in a few years because the industry is always changing. In this book, Walter Murch talks about editing film when you actually edited film but his focus is so much on the theory of editing that even in today's digital age it is relevant. This is the best book on filmmaking I've read, but I may be a bit biased because I am editor.
This guy is a pure genius! If you want to know how to think like an editor, it's a look into the mind of a great one. It's also a very quick read. You can finish this book in two days and if your fast, probably a day.
Excellent and original when first published and maybe when republished, but there is only one point. Learning how to apply it is everything and this can only be done over time and practice.You can either buy the book or watch Walter Murch speak about it in a video online and save the money.
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